When I was 13 years old, Mom decided it was time for me to
learn how to dance. The lessons were for ballroom dancing.
As I recall I learned
the Foxtrot, the Cha-cha and the Waltz, although I can’t for the life of me
remember any of those steps. The guys and girls in this class had to dress up
and be polite. At the break the guys got punch and cookies for the last girl
with whom we danced.
It seems that I usually wound up with this cute little
chubby redhead. I don’t know if she had
a crush on me or I had a crush on her, but as I recall we always paired up with
each other to dance.
The instructor played the song Meet Me at Midnight Mary
every week and we did a fast Foxtrot to the music. I loved the song, the lyrics
and the arrangement. It had everything a 1960’s song should ever have.
Here was
a story about a poor boy that secretly married a girl, got a job working on the
railroad and later found out her Daddy was his boss.
When I listen to it I think of that chubby
little redhead girl and wonder whatever became of her.
The song was written by a fellow named
Artie Wayne. He was
working as a song writer in
New York
City. He also was dating some Iranian girls. One of
the girls was the daughter of a deposed Iranian General.
I don’t know how much
is remembered about the days when the Shah of Iran was exiled to the United
States, so as a quick reminder in the early 1960’s Iran was governed by a king
which was called The Shah. There was a theocratic uprising in Iran and the Shah, his family and members of his
government sought refuge in the United
States. They brought with them a fortune in
Iranian assets, thus they were hated by the religious rulers and the people
that overtook the government as well as the general population of Iran.
The United
States government housed the Shah and his
entourage and assigned them a protection detail.
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Artie Wayne |
All this to say that Artie Wayne was head over heels in love
with the daughter of an Iranian general and this was forbidden. Both Artie and
the girl were excited about the danger of their secret romance. The only way
they could meet was to see each other secretly.
What can a songwriter do, but write a song about this
forbidden tryst?
Artie’s friend was a fellow songwriter named Ben Raleigh. Raleigh
had scored a recent hit with the sappy song “Tell Laura I Love Her.” In true songwriter fashion, Artie Wayne
decided to write a better song. He
eventually teamed with Raleigh
to write Midnight Mary.
The song was taken to a local studio and the guys were given
an advance to produce a demo. They shopped the demo around for a year with no
luck until they learned that a new artist named Jerry Cole had signed with Capitol Records and recorded
their tune. Neither Wayne nor Raleigh
liked Cole’s version and thought they could do a much better version.
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Joey Powers |
Artie Wayne had
befriended a singer/songwriter named Joey Powers. Powers had been under contract
with RCA and had just been released when Wayne
asked him to help make a demo that was good enough for air play.
Wayne
scraped together $500 for studio time and hired arranger Al Gorgoni and Charlie
Macey to play guitars. Drummer Buddy Saltzman played drums and Jeannie Thomas
sang all the background parts. Joey Powers sang the vocal.
Once again the song was shopped around. A local song plugger
named Jerry Landis (the pseudonym Paul Simon was using) turned the song down but
suggested taking the song to Larry Uttal at AMY Records (which is now Arista). Uttal liked the song
and agreed to market it and an agreement to refund production costs and give a
small percentage to the writers was approved.
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Larry Uttal (seated) |
Upon listening to the recording,
Uttal asked that the bass be turned up. Wayne
let him know they did not have money to hire a bass player for the demo.. Larry Uttal gave Artie Wayne $15 and told him
to go hire a bass player. Wayne
knew a bass player that owed him a favor and asked Russ Savakis to come to the
session and lay down a bass part.
With a few months Artie Wayne was taking publicity pictures for an album when he was handed a gold record by Uttal who told him, this doesn’t mean the song
sold a million records.
On November 22, 1963 the Joey Powers album was to be recorded featuring
the song
Meet Me at Midnight Mary. Artie had met with Joey in Ohio to set up the arrangements.
That night Al
Gorgoni was finishing up arrangements. Jeannie Thomas was working on background
parts along with a new singer, Lettie Hamblet. The guitarists for the session
were Paul Simon and Roger McGuinn, who played 12 string acoustic. The session
was to start in 30 minutes.
The only musician who was not there was Joey Powers. His
flight was delayed.
Artie picked up Powers
from the airport. When they walked into the studio, everyone was crying. President
Kennedy had been assassinated.
The album was eventually recorded and went on to be a big
hit…in England.
The song was covered by over 250 artists. Artie Wayne is
semi retired these days.
Ben Raleigh passed away in 1997 and left a legacy of
hit songs behind. Besides “Laura”, he wrote Wonderful Wonderful, She’s a Fool,
Love is a Hurtin’ Thing, Laughing on the Outside (Crying on the Inside) and
composed the theme music for the cartoon Scooby Doo.
Joey Powers was born in
1939 and is still alive. According to newpaper reports, he became a Christian and sent his kids to
Oral Roberts University.
Larry Uttal died at age 71 in New York City. He had
worked with many famous artists.
Jeannie Thomas is actually singer Jean Thomas. She was
the lead singer of the Rag Dolls, the Calendar Girls, the Powder Puffs, Angie
and the Chicklettes and other girl groups of the '60's and went on to have a very successful career as a background singer and is anonymously heard on many, many recordings.
Funny thing, Meet Me at Midnight Mary inspired two "answer" songs.
One was called
Midnight Joey by Lorna Dune.
The other was a number one hit by Johnny Mathis called
"What Would My Mary Say?" Those who are old enough will recall Mathis had a hit with Wonderful, Wonderful written by Ben Raleigh.
Version One
Version Two - Alternate version